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Sunday 20 April 2014

Individual exercises - Alejandro Ordóñez

It’s time to catch up. Now playing it safe. Plain and simple written-down analysis of all I haven’t done or done as if it had never been done, to all intents and purposes.

The feature:
I chose this feature on Barbra Streisand. Why? Because I love her so much and because a piece on musicals has to incorporate music, and that’s a technical aspect with interesting content to analyze for the exercise.

The program it’s called El Musical, in Radio 5, Saturdays at 17:35 and Sundays at 16:17, so I take it’s a very short program or a section inside another program.

They start with news on the European tour of Barbra, and then they move to her biography, focusing more on the past than in the piece of news. When and where she started her career, biggest hit, some details on her personal life...

The whole feature develops with her song ‘People’ in the background, which is played louder at the beginning and after recalling it as one of her most iconic tunes. Then the speaker presents/goodbyes himself and the song keeps playing for the rest of the program, approximately 45 seconds.

Overall, the informative component is very high, keeping it in an objectively descriptive style. There are no sound effects, the editing is very simple and lack of complications and the music used is 100% related to the topic since, as I’ve said before, the only song played is directly quoted. In fact, it feels like the purpose of this feature is to talk about the voice and style of Barbra, so choosing to balance the speaker’s text and the song itself would be a very effective election.



The commentary: 
My analysis is on an editorial by Carlos Herrera, broadcasted during his program “Herrera en la onda,” which airs daily from 6 A.M. to 12:30 P.M. in Onda Cero, one of the most important radio stations in Spain. The show itself focuses on discussing topics of general interest such as politics, economy, etc. News in the end.

Why did I pick this specific commentary? Because I found the structure and the boldness when it comes to giving an opinion (absolutely biased with not even a glimpse of trying to be impartial) particularly interesting.

The commentary revolves around the hot news of the day. It can be divided into four sections, each one focusing on one piece of news. The first one would be an antiterrorist operation, treated not in depth. The second one seems as the most important of the commentary since the taxation issue is the one the piece is named after. Herrera discusses the reform of the fiscal policies of the Government from a more informative perspective, explaining the main points of the actions taken.

Even though, as I’ve said, the part focused on taxes should be the longest inside the commentary, the third topic is the one that I found more analysis-worthy. Herrera looks driven by his face-forwarded opposition to the independent movement in Cataluña, so he dedicates more time on this subject, and less impartiality, for the record, talking about the independents as lunatics and other adjectives too pejorative for me to quote.

And to wrap with the commentary, there is a fourth issue that I find personally insulting. How can a prime-time program treat with equal (or even more) importance a soccer game that the aforementioned topics? The music goes louder, everything very passionate about an issue that’s not an issue at all compared to terrorism and the population being sucked the blood by the Government once again. But I guess that’s the perk of the commentary, that each speaker distributes the relevance of the things they talk about as they please, isn’t it?


To finish with, the point I wanted to make clear with this analysis is that the key is making the commentary personal and from the speaker’s perspective and opinion. And in this case, it totally serves the purpose.

Thursday 10 April 2014

Mini-Drama



SFX: Ambience sound of the inside of a house.

MR. BROWNLOW: Are you ready, honey? We’re leaving in five minutes.

MRS. BROWNLOW: Yesss, I’m just getting my coat.

MR. BROWNLOW: Please hurry up, I don't want to be late.

SFX: Woman steps going downstairs. Closing of a door.

SFX: Ambience of the street and sound of a multitude of people waiting to enter the opera house and people murmuring.

(Continue people murmuring in background)

MRS. BROWNLOW: What a beautiful ni... Oh no, look at your right!

MR. BROWNLOW: What's wrong?

MRS. BROWNLOW: (indignant) Can you believe it? These people are here today! Ugh, I don’t want share the same air with them, they are scum...

MR: BROWNLOW: Please darling, calm down. Ignore them, nothing bad is going to happen. Just relax and enjoy the play.

WOMAN: Your wife is right, sir. Last time this kind of people came here, horrible things happened! They just don’t belong here! Look at them, all in their shabby clothes...

MRS. BROWNLOW: That is... I don’t know why they keep selling those cheap tickets. At least they seat in a different area, not near us. Could you imagine that? I’m already scared that they will steal me the jewels or the purse when leaving, I wouldn’t stand sitting next to one of them for a whole opera!

WOMAN: Well, you have reasons to be scared, that happened once to a friend of mine! They took all that she got in her purse.

SFX: Ambience sound of people inside the theatre, sitting, etc.

(Continue sound in background)

HANNAH: (fascinated) Oh gosh, this is so beautiful! Look at the stage and the red curtain! I’m so excited we can be here tonight.

JERRY: Yeah, I hope it’s worth it. I’ve been working too hard to get these tickets.

SFX: People murmuring and then the curtain opens and there is people clapping, some of them shouting and someone shushes them. Silence. The music starts.

(Music continues in the background.)

MR. BROWNLOW: Darling, I’ll be right back.

SFX: Steps.

JERRY: Hannah, I have to leave just for a moment to get some air.

HANNAH: Oh, but you’ll miss the play!

JERRY: It won’t take me long, I promise.

HANNAH: Okay...

SFX: Steps.

(Music fades)

SFX: Opening of a door.

JERRY: Hi.

MR. BROWNLOW: Good ni... Wait, I know you... (angry) What are you doing here?! Scum like you shouldn’t enter the opera! You are disgusting, man. How dare you come to the same place as me?! (spits)

JERRY: But, sir... I don’t know you... I just came here with my girlfriend.

MR. BROWNLOW: Yes, you know me! Do you really think I would forget you? You tried to rob in my house! Luckily that old lady saw you and warned us! I bet you are here today to see if you can get a little fortune out of some poor old woman’s purse, eh?

JERRY: But that wasn’t me, sir, I swear! I don’t know what you are talking about! I’m a good person!

MR. BROWNLOW: Yeah, like I would believe any of you scum... You all deserve to die.

SFX: Gun shot.

SFX: Opening of a door.

MRS. BROWNLOW: (worried and whispering) Where have you been? Why do you look so upset and sweaty?

MR. BROWNLOW: (whispering) Nothing, nothing, just men stuff... Shhh, the play is on.

(The music continues for a moment and ends.)

SFX: Clapping.

SFX: Sound of people standing up and leaving the auditorium.

SFX: A woman screams. Silence and then people murmuring.

(Continue people murmuring in background).

MRS. BROWNLOW: What? What happened?

WOMAN: Apparently there has been a murder. There’s a dead guy in the floor and they say they have seen someone running away.

MRS. BROWNLOW: Oh, I told you! These people are barbarians!

WOMAN: This is the second time this happens... people responsible of the opera should not allow this!

MRS. BROWNLOW: They don’t even let us enjoy a beautiful night. Agh... Please, dear, let’s go.

SFX: People walking and murmuring (fade out).

SFX: Police siren getting closer.

END.